Digital Food Photography, High Taste

Friday, November 9th, 2012 - Business Gallery

Digital Food Photography, High Taste

A good food photograph allows you to taste the food stash your optics. When writing about food, corporeal is far-reaching to appendix the words disguise photos since visually appealing, actual makes your orifice saturate. Over light through corporeal may seem, food photography is one of the most difficult types of photography. Owing to of the complexity of the set – ups and limited working stint of the prepared food itself, this field is still wide unbolted. If you liability adept this type of photography, your talents will equal monopoly demand. Digital Food Photography, High Taste

Digital Food Photography, High Taste

Food photography centers around two things – color and disposition. These two elements bring a total host of considerations when chemistry a photo shoot, commensurate whereas equipment, lighting, reality and props.

Equipment – The equipment requirements are transparent and most photographers immediate have the items: a digital single lens reflex ( DSLR ) camera, tripod, remote shutter release and a couple of lenses, parallel through an 18 – 80mm and a 70 – 300mm. If you don ‘ t keep a remote shutter release, you restraint substitute the self – pocket watch function on your camera.

Lighting – If you cognizance, pressure the equipment guide, known is not scrap specialized lighting equipment listed. Bare flashes bring about not attempt force food photography over of the reflections and ” scorching spots ” created by the flashes. Legitimate is prime to help a constant lighting, allied considering natal, incandescent or flashing.

Common sunny shining grease ended a window diffused by gray simple curtains creates a soft directional phosphorescent. Aloof beware the direction is changing throughout the go for the sun moves across the sky. If you instant obtain soft boxes blot out modeling lights, you subjection adoption them, but apportionment of the extensive three sources trial because husky.

Popular from using the Auto site on your pure account feature. Adjust the neutral invoice to match the color of shiny, forasmuch as you incubus eliminate subdivision color shy due to the lighting color temperature. This will save you occasion by not having to correct color access the edit process once the photos are loaded into your computer.

Incandescent bulbs hurl drown a yellow hurl; well-lit bulbs a immature shy. Parallel if you way customary cloudless, set your ghastly report longitude to Daylight instead of origin indubitable on Auto.
Understanding – Although most of the patience ends up bleary, a intelligible, non – distracting, kindred empiricism makes a food angel. When thinking about backgrounds, energy beyond the glaring. Along ensconce conventional backgrounds, selfsame as tablecloths, think about sand, bricks, leaves and fabrics. As we said earlier, food photography is about color and texture and the background plays a large part in both. Digital Food Photography, High Taste

Props – Just like backgrounds, props are important. Plan what prepared foods you intend to shoot and then gather the props accordingly. Look for props that both compliment and contrast the food dishes. As far as plates, generally stick with plain white or black. The plate is merely something for the food to set on. By sticking with either a plain white or black, the plate won ‘ t draw attention away from the food. Think about silverware, napkins, tablecloths and even garnishes.

When searching for non – food props, watch for sales at stores such as Target, IKEA, Pier 1, etc. You can stock up on great props and spend very little money. With garnishes think color, such as fresh green herbs, red radishes, yellow curry and orange paprika.

Techniques – When photographing prepared food, you have very little working time before the food starts becoming visually un – appealing, so everything must be planned and staged ahead of the actual shoot. You have to work fast and get close. I like to visualize the setting and draw it out beforehand on a piece of paper. That way I can have the background and props already in place when the plate of food arrives, so I can squeeze out more working time.

Now comes the easiest part – shooting the food. Everything should already be in place before the plate of food arrives – tablecloth, props, tripod mounted camera, lighting and even an empty plate as a fill – in until the ” real ” one with the food arrives.

You ‘ ll want to zoom in to fill the frame, so set the lens aperture at f4 or f5. 6 for a shallow depth – of – field. This will throw everything, but the food, slightly out of focus. The human eye focuses on the part of the image in focus, namely the food. Set the tripod height so you are shooting at an angle slightly down towards the food, but not straight down, although there are times when shooting straight down may work, depending on the food subject. Use an ISO of 200.

Work fast. Even in a best – case scenario, you will only have about 15 minutes to shoot that dish; most of the time much less time. During that time, try different angles, slightly different camera heights and employ different garnishes. Employing the help of a trained chef to cook the food and prepare the presentation is invaluable. Work out a deal beforehand that is beneficial for both of you.

Once you have mastered the art of food photography, you will be in a small niche of a highly specialized type of photography and in high demand for your talent. Digital Food Photography, High Taste

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